Freerangers do good!

July 7, 2010

Two freerangers, Barnaby and Byron (the two b’s!) have been announced as joint winners of a design research competition at Sydneys UTS.  From the Australian Design Review website.

The three winning projects are The Architecture Drawing Project, by Bryon Kinnaird and Barnaby Bennett from Victoria University Wellington – a project exploring the different modes of architectural drawing; (in)human habitat, by James Gardiner, RMIT (SIAL) PhD candidate – a proposal that looks at using the built environment to preserve ecological habitats; and CityBreeder, by David Pigram and Iain Maxwell, Canberra University and GSAPP Columbia/AA London graduates – a propsal that reshapes the urban design model as an open-source, real-time interactive platform capable of adaptive growth.”


In the spirit of provocation I am referencing an article here by American uber economist Paul Kruger where he makes an argument in Praise of Cheap Labour.  The entire article can be read here. I have pasted a sizable excerpt below.  To me the crux of the provocation comes not from different priorities about human needs, but from a different view on reality.  Many people that might be called anti-globalization folk share a idealist view of the world, seeing through a prism of how things should be and how people should be treated.   I don’t mean this as a veiled criticism, its an invaluable position.  But it is one that contrasts strongly with the utilitarianism of many economists (I’m excluding the obviously corrupt ne0-liberal groups here that just spout their own terrible idealism) who have a deep understanding of the present vast inequalities and are able to argue that what might look like terrible-ness to our eyes is infact improvement for people.  I can’t bring myself to entirely support the position that cheap labour is necessarily a good thing, but I do entirely encourage reading articles as this as they do fundamentally challenge what are often the safe but naive intellectual positions of the left.

Global poverty is not something recently invented for the benefit of multinational corporations. Let’s turn the clock back to the Third World as it was only two decades ago (and still is, in many countries). In those days, although the rapid economic growth of a handful of small Asian nations had started to attract attention, developing countries like Indonesia or Bangladesh were still mainly what they had always been: exporters of raw materials, importers of manufactures. Inefficient manufacturing sectors served their domestic markets, sheltered behind import quotas, but generated few jobs. Meanwhile, population pressure pushed desperate peasants into cultivating ever more marginal land or seeking a livelihood in any way possible–such as homesteading on a mountain of garbage.

Given this lack of other opportunities, you could hire workers in Jakarta or Manila for a pittance. But in the mid-’70s, cheap labor was not enough to allow a developing country to compete in world markets for manufactured goods. The entrenched advantages of advanced nations–their infrastructure and technical know-how, the vastly larger size of their markets and their proximity to suppliers of key components, their political stability and the subtle-but-crucial social adaptations that are necessary to operate an efficient economy–seemed to outweigh even a tenfold or twentyfold disparity in wage rates.

And then something changed. Some combination of factors that we still don’t fully understand–lower tariff barriers, improved telecommunications, cheaper air transport–reduced the disadvantages of producing in developing countries. (Other things being the same, it is still better to produce in the First World–stories of companies that moved production to Mexico or East Asia, then moved back after experiencing the disadvantages of the Third World environment, are common.) In a substantial number of industries, low wages allowed developing countries to break into world markets. And so countries that had previously made a living selling jute or coffee started producing shirts and sneakers instead.

Workers in those shirt and sneaker factories are, inevitably, paid very little and expected to endure terrible working conditions. I say “inevitably” because their employers are not in business for their (or their workers’) health; they pay as little as possible, and that minimum is determined by the other opportunities available to workers. And these are still extremely poor countries, where living on a garbage heap is attractive compared with the alternatives.

And yet, wherever the new export industries have grown, there has been measurable improvement in the lives of ordinary people. Partly this is because a growing industry must offer a somewhat higher wage than workers could get elsewhere in order to get them to move. More importantly, however, the growth of manufacturing–and of the penumbra of other jobs that the new export sector creates–has a ripple effect throughout the economy. The pressure on the land becomes less intense, so rural wages rise; the pool of unemployed urban dwellers always anxious for work shrinks, so factories start to compete with each other for workers, and urban wages also begin to rise. Where the process has gone on long enough–say, in South Korea or Taiwan–average wages start to approach what an American teen-ager can earn at McDonald’s. And eventually people are no longer eager to live on garbage dumps. (Smokey Mountain persisted because the Philippines, until recently, did not share in the export-led growth of its neighbors. Jobs that pay better than scavenging are still few and far between.)”

Comic genius

June 30, 2010

I’m going to post the dark side of tricksterism soon, that of corporate tricksterism, when the fine art of creative chaos is turned against unwitting populations.  As an intro to this please view the scathing, but hilarious video on the BP Oil Spill below.

Take our jobs.org

June 26, 2010

This is subversion at its best.. US comedian Stephen Colbert has joined forces with the United Farm Workers Union to poke fun at anti-immigration activists by tackling the issue of immigration reform through the satirical campaign ‘Take Our Jobs’.

‘The union launched a campaign called Take Our Jobs, showcased on the website www.takeourjobs.org, to highlight the reality that illegal immigrants in agriculture are not taking jobs away from U.S. citizens and other legal residents.’

Tom Karst – The Packer.com

Julie Mehretu is an Ethiopian-born artist (from Addis Ababa -coincidental link to a quick post on Freerange on Mulatu Astatke also hailing from Addis Ababa), who advanced her studies in Fine Art in the US and now works and lives in New York (generally).

I am continually drawn to her work, which is not accidentally architectural: she speaks very well on the subject of her work as studies/cosmologies/maps of cities and other tectonic and cultural spaces/structures.  I danced with the idea (and still do, often) of using this work in my architectural research, but whether or not I weave this into an academic enquiry, it remains a formative series of works in my worldview of architecture, and the greater ‘expanded field’ of things/worldliness.

Palimpsest (Old Gods)(Please click to get the super-size-me size).

I’ve recently acquired a monograph ‘Black City’ which is the first to publish a substantial collection of her work, past and present, and it is simply amazing.  I’ve selected a few of my favourites here, but you can view some of her work here, at White Cube who represent her, and here is a video/interview with Mehretu in Berlin, where her latest exhibition ‘Grey Area’ was shown (at the Deutsche Guggenheim Berlin) which has now travelled to the Guggenheim New York if you’re there, go see it!

An interpretation that I dallied with for a while, and hope to re-animate in the future, is the notion of syncretism, which refers to an ‘attempt at reconciliation of two opposing or different principles, practices, or parties…’, in my reading and understanding (or at least the part that I enjoy about it) is the idea of an equilibrium which nontheless sustains its aspects of tension. This idea not surprisingly was something that I was reading in architecture schools –my subject of interest– how an academic is responsible for simultaneously critiquing a body of knowledge, whilst disseminating it, or how an architecture student grapples with the hypothetical studio project (with all its fantasy, experimentation, failure, risk etc etc), whilst knowingly attempting to replicate and learn principles of the real world.  They are contradictory objectives, but they have to be maintained.

This is clearly not an idea exclusive to architectural education or architecture or architects, which is why I mentioned my deep interest in this work as a framework or doorway into an expanded field of thinking and being.  The obvious subject of some works in particular address the City, and it is immediately obvious that these works are grappling with the coded, multi-layered, crumbling, ghosting, dynamic, etc etc, representation of the City.  They are both fragmented, but approach wholeness; they surround the void with speeding and violent (or beautiful) mass and lines and points; they are architectural, but never building; they are constructed, of deconstructions; they attempt new meaning by obfuscating prior meaning… and they are huge.  The Seven Acts of Mercy (pictured here) is over 6 metres long, and nearly 3m tall.


I think these works probably explain more about me than I have been able to explain them to you about architecture (or the City), but I still wanted to share.  I’d love to hear from anyone in NY who could make it along to her show, it’s open til October I think.

Have a watch of this interesting interview with Pro-Whaling representative.

Then read this article in the NZHerald.

Awesome.

The other day I was at a friends place and there was a strange little vice like contraption sitting on the coffee table. We all started hypothesizing about what its purpose might be. Something to do with honey extraction… a drill of some kind, a spool holder for threading wool or something… Until finally someone had the sense to go ask what it was and get a demonstration. It was far more specific and odd than any of us thought.

An apple corer and spiral cutter. Weird. It’s amazing to know that someone designed and mass produced these, maybe a good way to disprove the theory of supply and demand, who would demand this product?!

Check it out

A world map of tourism hot spots. Cleverly made using uploaded photos on Panoramio. One of many excellent graphs, charts and timelines etc on informationisbeautiful.net , including but not restricted too; pop culture time travel timelines, Beatles self reference chart, the Gulf of Mexico Oil spill put in perspective. Be sure to check out the older posts.

Update: check out this for touristyness maps of cities but with different colours for locals and tourists.

A freerange Associate Nathaniel Corum who works at Architecture For Humanity has been involved with the design of the Plastiki boat seen in the diagram below.    This is a remarkable project with a boat that is almost entirely designed from recycled plastics.  The project aims to educate the world about various environmental issues including the Great Pacific Garbage Patch, which is the horrifying floating rubbish island twice the size of texas floating in the pacific, and other environmental causes and recycling opportunities.   Its also a pretty remarkable example of how resource scarcity can inspire the best of human creativity.

They have set sail on a 17 thousand k journey from San Fran to Sydney, currently 69 days through and well into the Polynesian Islands.  Go Well.

Check it out. Care of the NY Times.  Check the main Plastiki website here.