Category | Design

Room at the Table? Women and Architecture.

I recently made a list of ten architects that I admire, and well I guess I shouldn’t be, I was somewhat surprised when I realized that they were all male. (and almost entirely white, but I’ll leave that for another day).  I mentioned this to a colleague recently and he wisely pointed out that it wasn’t that long ago that women didn’t really go to architecture schools, and we now live in more enlightened times, but that it takes a long to time ‘to-get-to-the-top-if-you-want-a-sausage-roll’ in Architecture.  Meaning its takes a good 30 or more years of practice in architecture to achieve the positions of authority that lead to big commissions and important publications.   I remember making a comment along similar lines a few years ago to a female friend that surely the role of men in feminism these days is just really make sure we aren’t getting in they way, rather than actively campaigning for things.  She didn’t take to kindly to this, and wrote me a poem in protest!  I’ve never quite worked out what she thought I am supposed to do.

I just read a great article by Architect Denise Scott Brown who discusses what is like to be married to a Architect while they work and live together, and how her husband receives almost all of the recognition.  Denise Scott Brown and her husband Mrs. Robert Venturi wrote what is one of the seminal books of the late twentieth century in architecture, Learning from Las Vegas.

“When Bob and I married, in 1967, I was an associate professor. I had taught at the Universities of Pennsylvania and Berkeley, and had initiated the first program in the new school of architecture at UCLA. I had tenure. My publication record was respectable; my students, enthusiastic. My colleagues, mostly older than I, accorded me the same respect they showed each other, and I had walked the same corridors of power they had (or thought I had).

The first indication of my new status came when an architect whose work I had reviewed said, “We at the office think it was Bob writing, using you name.” By the time we wrote Learning from Las Vegas, our growing experience with incorrect attributions prompted Bob to include a note at the beginning of the book asking that the work and ideas not be attributed to him alone and describing the nature of our collaboration and the roles played by individuals in our firm. His request was almost totally ignored. A body of theory and design in architecture apparently must be associated by architecture critics with an individual; the more emotional their criticism, the stronger is its focus on one person.

A few years ago at a conference we organized a very interesting conversation emerged about how we select the 20 or so international speakers we were inviting.  (Incidentally I think we actually invited Scott-Brown) We didn’t really have a system apart from interestingness until about 2/3s of the way through we noticed that almost all the men were speakers.  I raised this issue at a meeting, with my thoughts been that we should focus on speakers that would balance out the conference from then on.  Interestingly a few of the females at the table rejected this notion as been inversely sexist because we were then selecting women based on gender rather than skill or interest.   I’ve never quite got my head around how to deal with that problem either.

In principle my personal position is that the discriminations against women (not to mention racial) are very deep rooted in our cultures and also in the past.  Correcting behaviours from our past that we now see as abhorrent is not a simple or easy process.  Changing a law or even a perception does not necessarily signal a shift in behavioral change.  So  I think at a points we do need to make active effort to live in the world we want to,  and not think that the current one will automatically correct itself.  I’m not sure what the best mechanisms for this are, but I suspect positive discrimination is one of them.

On a further note, I was at a meeting last night and we ended up talking about pregnancy at design firms. It turns out there were no senior women Landscape Architects with children in Melbourne that anyone could think of, and in none of the architecture firms at the table were there any senior positions held by women with children.  I find it deeply disturbing that ones gender and the very natural decision to bear children to mean such a fundamental sacrifice in ones financial and professional position.

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outsider design pt.1

In art history is there is an anachronistic area of art known as Outsider Art, a world of art that is created by sold called non-artists, or artists that are outside of what is understood as the main chronology of art.   Similarly, and arguable more culturally important is an area that could be called ‘Outsider Design’,  linked here is a self-evident catalogue of home-made Russian snow mobiles.

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I was in Samoa recently chatting to someone about my favourite architects that actually build stuff and decided to write a list of my top ten. Given that I’ve studied architecture for a number of years that is really to scary to write down I was quite surprised how hard this list was to write. I don’t know if this means that my memory really is appalling or whether architects are just a bit shit at their jobs. Anyway without any doubt here’s ten that definately are not shit… in no particular order.

1. Geoffery Bawa (Sri Lanka)
2. Gerald Melling (NZ)
3. Peter Rich (South Africa)
4. Donovan Hill (Brisbane)
5. Laurie Baker (India)
6. Herzog de Meuron (Swiss)
7. Sumangala Jayatillaka (Sri Lanka)
8. John Scott (NZ)
9. Paulo Solari (America)
10. I guess I have to put Gaudi in there.

I’d be very interested to know what other people think.

ps. I’m well aware that there are no women on this list which is a devastating comment on something.  I’m not sure if its my tastes, the architecture profession, the media, the institutions…

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